Machine Politics, Organized Crime, and Reform

For nearly a decade and a half between 1925 and 1939, political boss Thomas J. Pendergast (or simply "Boss Tom"), an unelected dealmaker and leader of the local "goat" Democratic faction, consolidated control of Kansas City's machine politics and ruled its government and criminal underworld with impunity. Prior to those years, Boss Tom and his elder brother, James F. Pendergast, who died in 1911, had long vied for control with other aspiring bosses. Chief among the rivals was Joseph B. Shannon, leader of the "rabbit" faction of the Democratic party. Boss Tom, the namesake of this website, overshadowed Kansas City and exerted influence on most of the best and worst aspects of its history throughout his reign. As reform efforts swept in and the Pendergast Years faded away, so did much of the city's Jazz Age identity.

Featured Article

Author

When people think of Kansas City jazz in the 1920s and ‘30s, certain images come to mind: political corruption, gangster activity, and music that catered to and benefited from this type of environment. But vice and corruption were not the only elements that made the city a center of innovative music. The black middle and upper classes also supported the music and the musicians, especially at dance halls such as the Paseo Hall. And there were black organizations such as the NAACP, men’s groups like the Elks Lodge, and ladies’ groups like the 12 Charity Girls, who organized formal dances to raise funds for various institutions in the community.