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Monarchs Defeat the Blues

On October 6, 1922, the Kansas City Monarchs and the Kansas City Blues baseball teams embarked on a six-game series that would end with the Monarchs being crowned "The New City Champions" by the Kansas City Star.

Lindbergh Flies to Kansas City

On August 17, 1927, a jubilant crowd of 25,000 gathered at the site of the present-day Charles B. Wheeler Downtown Airport to listen to speeches given by Charles Lindbergh and city officials in order to dedicate Municipal Airport. Several Kansas City leaders, including a previously-skeptical City Manager Henry F. McElroy, had flown in from old Richards Field in Raytown and landed on the soggy turf known as "Peninsula field," just north of downtown Kansas City.

Folly Theater

The Folly Theater at 12th and Central was built in 1900 as the Standard Theater.  Designed by the prominent Kansas City architect Louis S. Curtiss, it is an important example of turn-of-the-century architecture in the downtown area. 

Municipal Auditorium

When it was built, the Municipal Auditorium met the needs for a 20th century city's functional, multi-use space with the most modern, elegant decor imaginable.  The building combined a variety of public-use interior spaces with technically advanced construction and encased it in a massive jewel of Art Deco design.

Nelson-Atkins Museum of Art

William Rockhill Nelson and Mary McAfee Atkins never met, but they shared an important dream: a fine art gallery for Kansas City. Decades after their deaths, the trust funds from their estates combined to create a museum so magnificent that it surely would have pleased them both.

Midland Theater

By 1927, Kansas City had seen its share of extravagantly decorated theaters; effervescent praises overflowed the newspapers of the day upon construction of the Coates Opera House, the Willis Wood Theater, and the Shubert Theater.  But the completion of the Midland Theater in the fall of 1927 topped anything that Kansas City—or the Midwest—had ever seen.

Pla-Mor Ballroom

On the evening of November 24, 1927, the Pla-Mor Ballroom opened at 3142 Main Street to a crowd of 4,100 who reveled at its unprecedented size and modern style.

Kansas City Speedway

In the "golden age" of automobile racing in the 1920s, the best tracks designed for top-end speed were made of wood. The Kansas City Speedway Association accordingly constructed its speedway out of a million feet of lumber 2x4s, set on end and bolted together to form a 1.25-mile oval track. In contrast to traditional materials (primarily brick or dirt), the board tracks of the era allowed for very steep 45-degree banks around the curves to help the cars maintain faster speeds.

Thomas Hart Benton

Thomas Hart Benton, one of the leaders of the Regionalist movement in American art, was a prolific painter, muralist, draughtsman, and sculptor from childhood until the end of his life in 1975. Today he is best known for his realist depictions of American life, which, in his own time, were perceived as directly opposed to modernist movements cultivated in Europe. His paintings, largely vignettes of daily life and ordinary rural characters, were simultaneously praised for their frankness and criticized for their gritty representations of American culture and history.

Ernest Hemingway

Ernest Hemingway said he learned how to write while working as a reporter for The Kansas City Star when he was only 17 years old. Ernest got a job on the paper and was assigned to cover General Hospital, Union Station, and the 15th Street police station, often riding in police cars to the scene of a crime.

Walt Disney

Born in Chicago, Illinois, in 1901, Walter Elias Disney moved with his family to Marceline, Missouri, at the age of five. In 1910 or 1911 (sources differ), the Disney family moved to Kansas City, where Walt helped his father and brother deliver Kansas City Star newspapers at 3:30 a.m. Disney and his friends created "Laugh-O-grams," which were very short silent animation clips that complemented feature films at the Newman Theater in Kansas City, and by 1922 he opened his first animation studio on the second floor of the small McConahy Building on 31st Street.

Satchel Paige

By the 1930s, Satchel Paige had acquired a reputation as one of the finest pitchers in the game, white or black. He earned more money than any other black player and even more than many white major league players. Seemingly everywhere he played he attracted record crowds that sparked wider interest in black baseball players and helped the Negro Leagues ball clubs attain financial stability.