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Map showing the boundaries of precincts as defined in 1918 for the fourth ward of Kansas City, Missouri. This ward is bounded by 39th Street to the north, Kansas to the west, south city limits to the south, and Campbell Street and Troost Avenue to the east.

Date: 
1918

Photograph of the Meyer Boulevard Evangelical Church located at the southwest corner of Meyer Boulevard and Rockhill Road. It was known later as the Trinity Evangelical Church. This vantage point faces southeast from the south side of Meyer Boulevard between Charlotte Street and Rockhill Road.

Street map of a "Scenic Route Through the Country Club District: America's Most Beautiful Residential Section, 2000 Acres Restricted." The scenic route is indicated in red; specific directions are at bottom of map. Map shows Kansas City Country Club, Mission Hills Country Club, and names of neighborhoods. Printed at the top: "Put this in the pocket of your automobile for use the next time you are pleasure driving."

Date: 
1920
General Hospital No. 2 Exterior
Author: 
Jason Roe

"They did not try to build something ‘good enough for Negroes’ but something as good as money could buy." This is how Chester Arthur Franklin, the Republican founder of The Call newspaper and one of Kansas City’s most prominent black leaders, greeted the newly constructed eight-story building that housed General Hospital No. 2, serving the indigent African American population of Kansas City.

Dante's Inferno interior
Author: 
Stuart Hinds

During the 1890-1930 heyday of vaudeville, a number of female impersonators enjoyed impressive, successful careers and became household names across the country. Even during 1920s Prohibition, the tradition expanded into nightclubs and cabarets and drew enormous crowds in large cities like New York and Chicago. American entertainment tastes started to become more conservative, repressive oversight of liquor consumption followed Prohibition’s 1933 repeal, and female impersonation almost immediately disappeared from “legitimate” and cabaret stages throughout the United States. But in wide-open Pendergast-era Kansas City, female impersonators remained popular until the late 1930s.

Lucile Bluford
Author: 
Henrietta Rix Wood

This essay analyzes Bluford’s initial reporting on her effort to enter MU, her commentary on her failed civil lawsuit in May 1942, and the announcement of the newspaper’s fundraising campaign for African American education in the same month. The facts of Bluford’s three-year crusade to enroll at MU are known: she repeatedly tried to enroll at the university and pursued three lawsuits, losing the last one in April 1942. The fact that she and The Call collaborated to influence readers’ responses to the quest for African American educational rights has not been acknowledged or analyzed.

Benny Moten Band
Author: 
Marc Rice

When people think of Kansas City jazz in the 1920s and ‘30s, certain images come to mind: political corruption, gangster activity, and music that catered to and benefited from this type of environment. But vice and corruption were not the only elements that made the city a center of innovative music. The black middle and upper classes also supported the music and the musicians, especially at dance halls such as the Paseo Hall. And there were black organizations such as the NAACP, men’s groups like the Elks Lodge, and ladies’ groups like the 12 Charity Girls, who organized formal dances to raise funds for various institutions in the community.

Donnelly Garment Company interior
Author: 
Kyle Anthony

The history of the Donnelly Garment Company and its battle with the International Ladies Garment Workers Union (ILGWU) is one that defies conventional understandings of American life in the Great Depression. It is a story of a female entrepreneur succeeding in an era of economic paralysis, and one of a union failing to organize a factory in a period when workers won substantive rights. ILGWU president David Dubinsky, Nell Donnelly Reed, and Senator James A. Reed were the principal figures in a contest to organize a single garment factory, a legal battle that came to represent much larger questions.

Sketch of Federal Reserve districts
Author: 
Jaclyn Miller

In the second decade of the 20th century, Kansas City was emerging as a key center of economic power west of the Mississippi. Agriculture constituted a central pillar of Kansas City’s success: dozens of railroads shipped grains and livestock through the city’s new hub at Union Station, and its manufacturing district developed large meatpacking, flour, and other food processing industries. Wholesale and retail commerce joined agriculture and industry as the foundations of Kansas City’s economic power.

Tom and James Pendergast
Author: 
Jeffrey L. Pasley

One of the defining political trends of the mid-20th century was the transition of black voters from the Republican Party to the Democratic Party, accompanied by a major shift in the party’s policy platform toward social liberalism and civil rights. Nationally, this change is usually dated to the latter half of the New Deal, roughly around the election of 1936. In Kansas City and the state of Missouri, however, it happened much earlier and in surprising circumstances that greatly influenced national affairs in later years.

Masie Jones Ragan
Author: 
David Hanzlick

Kansas City women–members of the Athenaeum, the Woman’s City Club, and other organizations–sought to assert power in their community and beyond. Coming from Republican and independent Democratic backgrounds, and abhorring the influence of the Democratic machine, they embraced a progressive spirit that revered what they envisioned as good government.

1928 Republican National Convention
Author: 
Dustin Gann

According to a May 29, 1928, editorial in the Kansas Citian , the Republican National Convention promised to “bring more influential people in industry, business, and financial circles than ever brought here by a convention.” Local leaders envisioned the 1928 Republican National Convention raising the national and regional profile of Kansas City in two related ways. First, delegates and visitors attending the convention could see the city’s growth in person. Second, and perhaps more importantly, the event and subsequent attention would bolster the city’s standing, particularly in relation to regional rivals such as Cleveland and St. Louis.

Coon Sanders Band
Author: 
Chuck Haddix

As Bennie Moten, George E. Lee, and other African American bandleaders based at 18th and Vine pioneered a new style of jazz, a number of white bands in downtown Kansas City were performing a style of hot jazz modeled after nationally popular white bands. Ironically, while Kansas City would gain renown for its great African American bands that barnstormed across country, it was a white dance band, the Coon-Sanders Nighthawk Orchestra, which first established Kansas City’s national reputation as a jazz center.

Sign for development of the Country Club District
Author: 
Sara Stevens

Kansas City, like other American cities, added new suburban-style developments at its edges during the early decades of the 20th century. What makes it a unique case for understanding this shift is the character of Jesse Clyde (J.C.) Nichols. Born in Olathe, Kansas, in 1880, Nichols had a career that spanned the first half of the 20th century, and included transforming thousands of acres of land into a planned suburban community.

Group photo of Amberg Club participants
Author: 
Valerie Mendoza

In the years between 1915 and 1925, Mexican migrants such as Paula Sanchez and her family arrived at Kansas City in large numbers to work for the city’s railroad and meat packing companies. These jobs proved to be erratic and poorly paid. In addition, these newcomers possessed few resources upon their arrival, save determination and a strong work ethic. Anglo Kansas Citians worried that this group would drain the city’s resources. Several female reformers, however, banded together to form a social service organization, known as the Guadalupe Center, to aid these arrivals.

Liberty Memorial Dedication
Author: 
Keith Eggener

The Liberty Memorial arose during a period of widespread monument-building, one that ran from roughly 1880 to 1930. It was restored amidst a second such period, beginning in the 1980s and continuing to this day. Locally, these two eras correspond with Kansas City’s emergence as a modern metropolis, and with its most ambitious program of urban redevelopment thus far. In each case and in different ways, residents framed the war and its remembrance as a means to future gains. These framings offer telling views of the city’s history, its greatest monument, and the changing nature of memory.

Thomas Crittendon
Author: 
John McKerley

One of the defining aspects of “Boss” Thomas J. Pendergast’s “machine” politics was its approach to African American voters. During the early 20th century, at a time when black people were routinely excluded from the vote by Democratic regimes in most of the former slave South, Pendergast’s Democratic organization in Kansas City succeeded in part by attracting considerable black support. While such support was not unique to Kansas City—black Missourians never lost the vote in the same way or degree as their counterparts farther South—historians often point to the city as an example of early black political realignment toward a Northern Democratic Party based in urban, industrial centers and at increasing odds with its Southern wing over the issue of civil rights.

Unidentified man working in the Stockyards.
Author: 
John Herron

There are world records for nearly everything, including cattle processing. And in September 1918, Kansas City broke them all. As World War I entered its final fateful months, the Kansas City stockyards handled more than 55,000 cattle in a single day and 475,000 for the month. That fall, during a remarkable three-month span, more than 1.3 million cattle passed through the city’s yards. The Kansas City cattle business was impressive, but add to these figures hundreds of thousands of sheep, hogs, and horses, and more than 3.3 million animals were yarded in the city. First seven, then 12, then 34 railroads brought these animals into the city and out again to distant markets.

Photograph of a big band on stage labeled "Don Juan's All-Spanish Dance Band."

Pages

KANSAS CITY PUBLIC LIBRARY | DIGITAL HISTORY
Civil War on the Western Border: The Missouri-Kansas Conflict,1855-1865.
The Pendergast Years, Kansas City in the Jazz Age & Great Depression.
KC History, Missouri Valley Special Collections at the Kansas City Public Library.